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There’s biometric security and other technology. Beige suede wallpaper to soften the effect of the white marble floors. Hand-rubbed Italian lacquer wood in the study. It’s staged with expensive artwork and furniture, including a rotating white abstract sculpture designed for the foyer by artist Mike Fields valued at $750,000. A 50-car garage with two carousels to display exotic cars. An undulating six-hole putting green on the sky deck.

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A multiplex-size movie theater with white leather seats. A beauty salon with washing, cutting and pedicure stations. Nine bedrooms in the main house, not counting the 4,000-square-foot guesthouse or servants’ quarters. The One overloads visitors with its obvious excess. We didn’t loan it to take a risk and make it work in some other way.”

“We loaned the money to put the house on the market and sell it.

“I didn’t like it,” Hankey says of Niami’s idea. He filed a foreclosure lawsuit in June against Crestlloyd, the limited liability company established by Niami and his former wife that owns The One. Not surprisingly, that didn’t go over with Hankey, whose Westlake Financial is notorious for calling auto loan borrowers if they are one day late on a payment. The relationship turned sour after Niami defaulted on the debt and came up with a plan to keep The One in his grasp: living in his creation and turning it into an event space with world championship boxing matches, concerts and a charity event featuring the likes of Michael Jackson and Whitney Houston - in the form of holograms. The unlikely duo intersected three years ago when Niami took out an initial $82.5-million loan from Hankey’s real estate lending arm to complete the Airole Way home.